"Directing an actor often makes my stomach tense up but with you it was always fun and I always walked away with a new 'directing arrow' in my quiver." – Philip Hunter, Respawn
The Voice Behind Episode 67 – Strike! Part 1
The Voice Behind Episode 68 – Strike! Part 2
Last week I was interviewed on The Voice Behind, my absolute favorite voice actor-centric podcast. The topic was the current SAG-AFTRA Interactive Media Agreement negotiations.
I play Lorraine in The Park, whom you can hear being terrified and singing hauntingly in the above trailers.
Endless Spanish launched today on the iTunes App Store! The Endless series is great learning software for kids. The majority of the monster sounds are me, and now I also narrate the phrases in Endless Spanish. Recorded in my home booth.
Here’s a written interview I’ve just done for the wonderful game audio resource site designingsound.org. My roots are in video game development and my ties to that community have only grown since I’ve moved on to voice acting. Audio is my tribe.
I’ve also contributed a few opinions to this fantastic “Getting a Job Creating Sound and Music for Videogames” article by Will Morton. I highly recommend you bookmark that page if you’re curious about pursuing a job in game audio.
Are you making a video game? Would you like some voice overs in it? Here are some ways you can go about it:
Your cast must either be all union actors or all non-union actors. (Side note: Actors can simultaneously do union and non-union work if they are financial core. However your project must cast actors only as all union or non-union.) That also means if you have a union-only cast, you can’t have yourself or fellow developers perform in the game, not even as creatures (though it’s obviously more difficult to detect with creatures when they’re sound designed), unless you and the devs are SAG-AFTRA members as well.
Continue reading “VO for video games: Where can I get some?”
Fryda Wolff 